The Happy Croft print of original art work
£25.00
Sold by Seaholly Studio
Product of: Isle of Bute
Ships to: United Kingdom Only
This is a mounted print of an original painting I did of the Scottish West Coast. I used many layers of handmade collage papers, stencils, vintage paper cuttings and acrylic paint to create the original and these show beautifully in this high quality print. The art work is 8” and I have put it in a quality 10” mount, signed it on the back and packaged it in a cellophane sleeve. It will be wrapped as shown and further wrapped for postage! It would make a lovely gift. I painted this on an exceptionally sunny day & I hope my happy mood shows through in the art work!
This is a mounted print of an original painting I did of the Scottish West Coast. I used many layers of handmade collage papers, stencils, vintage paper cuttings and acrylic paint to create the original and these show beautifully in this high quality print. The art work is 8” and I have put it in a quality 10” mount, signed it on the back and packaged it in a cellophane sleeve. It will be wrapped as shown and further wrapped for postage! It would make a lovely gift. I painted this on an exceptionally sunny day & I hope my happy mood shows through in the art work!
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Seaholly Studio
I am a contemporary Scottish artist. I find painting a time of meditation, and a welcome antidote to the busy lives which we tend to lead. Painting allows me to spend time really enjoying the environment and the outdoors. Depicting empty remote beaches and mountains gives me an opportunity to gain from these environments; whilst preserving their pristine nature.
My painting process can involve many steps. I often do underpaintings using random marks or (largely unplanned!) textured papers. I then enjoy creating order from this ‘chaos’ by rationalising the marks into the vision I have for the finished art work. I find the organisational process very calming and spiritual. Balancing which underpainting marks to keep, and which to cover, is key in my work. My earlier works had more realism and formal structure. I am finding that as I evolve as an artist I have a tendency towards more abstract mark making.