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Sligachan, Isle of Skye. Original Mixed Media Painting
This is a sunset painting I did of this beautiful view on Skye. I used many layers of different types of media to create this painting. I used pieces of hand stamped papers, music script, decoupage papers, gold leaf, stencils, pens and acrylic paints in this time-consuming process and was delighted with the end result! The artwork is on card, it measures 8” and I have placed it in a 10” card mount. It is backed by stiff card. It will be packaged in a cellophane presentation bag and wrapped as shown with one of my handmade gift tags so would make a lovely gift!
1 in stock
This is a sunset painting I did of this beautiful view in Skye. I used many layers of different types of media to create this painting. I used pieces of hand stamped papers, music script, decoupage papers, gold leaf, stencils, pens and acrylic paints in this time-consuming process and was delighted with the end result! The artwork is on card, it measures 8” and I have placed it in a 10” card mount. It is backed by stiff card. It will be packaged in a cellophane presentation bag and wrapped as shown with one of my handmade gift tags so would make a lovely gift!

Seaholly Studio
I am a contemporary Scottish artist. I find painting a time of meditation, and a welcome antidote to the busy lives which we tend to lead. Painting allows me to spend time really enjoying the environment and the outdoors. Depicting empty remote beaches and mountains gives me an opportunity to gain from these environments; whilst preserving their pristine nature.
My painting process can involve many steps. I often do underpaintings using random marks or (largely unplanned!) textured papers. I then enjoy creating order from this ‘chaos’ by rationalising the marks into the vision I have for the finished art work. I find the organisational process very calming and spiritual. Balancing which underpainting marks to keep, and which to cover, is key in my work. My earlier works had more realism and formal structure. I am finding that as I evolve as an artist I have a tendency towards more abstract mark making.











